The Polonaise According To Blechacz
"(.....) Of course I recorded it in a studio. In the same studio that I recorded the first album Chopin Preludes. The instrument was picked from the concert hall in Hamburg almost without thinking. The wide tonal volume articulates all the critical climaxes so important to polonaise, and the songs sound very nice on that piano. Also, the typical lyrical parts come out very beautifully. I had the opportunity to find different shades, colours and sounds with this piano (.....)"
Original interview in Polish
Art and Business
with reference to reviews in London, SF and by Gramophone.
What to say when a virtuoso plays genius? You can only hear. (a Polish site)